Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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william r clark
sadana har enkla stegar hade man vid bergs bestigning pa 1852 talet

ID: 59343

william r clark sadana har enkla stegar hade man vid bergs bestigning pa 1852 talet
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william r clark sadana har enkla stegar hade man vid bergs bestigning pa 1852 talet


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william r clark

1829-1912  Related Paintings of william r clark :. | en kopmanskaravan kommer till en liten oas,dar de kan fa farskt vatten och nagra timmars vila | matterhorn ansags lange omojligt att bestiga trots att det ar ca 300 meter lagre an mont blanc. | columbus karaktarsstyka och viljekft ar skickligt fangade i detta portratt | paccard balmat och de flesta andra andra alpinister tog sig upp till mont blancs topp pa nordsidan | man tror att alexander den store undersokte medlhavets botten i en dykarklocka omkring 330 f.kr. |
Related Artists:
friesz
Achille-Emile Othon Friesz who later called himself just Othon Friesz (6 February 1879 - 10 January 1949), a native of Le Havre, was a French artist of the Fauvist movement.
MEI, Bernardino
Italian painter, Roman school (b. 1612, Siena, d. 1676, Roma) Italian painter, draughtsman and printmaker. His early art drew on a variety of sources, which included the naturalism of Rutilio Manetti and Francesco Rustici, the descriptive realism of the engraver Giuliano Periccioli (d 1646) and the Baroque of Raffaelle Vanni. Mei's interests even embraced 16th-century Sienese art. This stylistic variety is evident in his first known works, such as a bier (Casole d'Elsa, Collegiata), three signed miniatures in the Libro dei leoni (1634; Siena, Pal. Piccolomini, Archv Stato) and frescoes of scenes from the Life of St Bernard (1639; Siena, oratory of S Bernardino). His experimental approach is also displayed in such works as the Annunciation (Siena, Mus. Semin. Montarioso), which may be dated between the mid-1630s and the early 1640s. Mei's early maturity is marked by a conscious return to the naturalism of Manetti, enriched with a Baroque pathos and soft, fluid brushwork, as in the St Peter in Prison Awoken by the Angel and St Peter Freed by the Angel (both Siena; Conservatori Femminili Riuniti). His interest in both naturalism and the Baroque made him responsive to the art of Mattia Preti, possibly seen in Rome, as in the Beheading of St John the Baptist (1647; Siena, oratory of S Giovannino in Pantaneto) and the frescoes of scenes from the Life of St Roch and Life of St Job (1648; Siena, S Rocco),
Henry Salem Hubble
1870-1949 Henry Salem Hubble Galleries






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